Stacey Boggs is a New York based award winning lighting designer whose works include “Everything for Dawn” (Experiments in Opera), “Marguerite” (APAC), 2030: “The Future is Ours” (Girl Be Heard), “Catch Her If You Can” (The Joyce Theater), “The In[heir]itance Project” (14th Street Y), “Amp” (Winner NYIT Best Lighting Design, 2018), NYCCT’s “Interstellar Cinderella”, “Love that Dog”, and “Please Bring Balloons”, Theatre Three’s “The Miracle Worker” (Winner Broadway World’s Long Island Award Best Lighting Design, Theatre Three, 2019), and “The Diary of Anne Frank”, “Oklahoma!” (Fairleigh Dickinson University), “Katzelmacher” (Minor Latham Playhouse), Waterwell’s “Marco Millions” (based on lies), “The|King|Operetta, #9”, “I Love a Piano” (national tour). She has designed with choreographers Bill T. Jones’ and Dianne McIntyre’s “Come Around Part IV” (with Ymusic), Bill T. Jones’ “What is this place?”, Doug Varone’s “Nocturne” 2017, “Ladito” (José Maldonado), “Catch Her if You Can” (Maria Kocketkova). Also has also designed for Manuel Vignoulle, Robert Moses, Troy Powell, Christopher Wheeldon, and Mina Yoo. She has designed serval concerts at Carnegie Hall including “The Just and the Blind” with Marc Bamuthi Joseph and “Soul Mechanism” with Toshi Reagon. She graduated from the University of Evansville with a BS in Theater and Technology and NYU Graduate Design Program with an MFA in Lighting Design. Proud member of USA 829.